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Yale's Political Publication Since 1947

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Culture

Gotta Get Up, Gotta Get Out: Russian Doll Review

Adrianne OwingsJuly 14, 2019November 28, 2024

“Underneath its raunchy humor, Russian Doll makes the case for how important it is to help each other get through the most difficult parts of life.”

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ZOU: Review: “You Need To Calm Down”

Catherine ZouJune 26, 2019November 28, 2024

“Swift’s new politicization retains, at its center, a fixation with her own celebrity.”

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Review: Always Be My Maybe: Asian American Romantic Comedy in the Post-Crazy Rich Asians Era

Kathy MinJune 9, 2019November 28, 2024

2019 feels worlds away from 2013, and the more recent explosion of Asian American representation in popular culture seems to signal a hopeful shift.

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Seatbelts, Everyone! A Review: The Magic School Bus Rides Again

Andrew BellahJune 7, 2019November 28, 2024

The new show is especially apt in remaining grounded in its original content and style, while also making a positive strides to inspire and motivate a broader audience of children to take an interest in S.T.E.M. fields.

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Review: IGOR by Tyler, The Creator

Zach GilstrapJune 3, 2019November 28, 2024

The core of IGOR is Tyler wrestling with the complex emotions he has formed for his past partner, and how he wants to embrace love while knowing the pain it causes for him.

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Trigger-Happy Hollywood: Dirty Harry, Fascism, and the Liberal Backlash of the 1970s

Ahmed ElbenniMay 22, 2019November 28, 2024

Despite the venomous charges of its critics, Dirty Harry is not and never was a fascist film. However, the sequel, in its conscious attempts to make that same argument, inadvertently embraces a fascistic outlook.

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Kalikman: “Coisa Mais Linda” Really is the Most Beautiful New Show

Claire KalikmanApril 18, 2019November 28, 2024

The whole show feels like a spring break getaway.

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Review: Dumplin’

Catherine ZouApril 13, 2019November 28, 2024

“While Willowdean’s decision to enter the beauty pageant is dramatic, most of the movie is about the drama of the everyday.”

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